Saturday, April 30, 2011

Z is for Zombies

Never judge a book by its zombie apocalypse setting.

I must confess. I’ve only read two zombie books – ever.

But they were awesome.

Thank you Carrie Ryan for bringing us The Forest of Hands and Teeth, The Dead-Tossed Waves, and (this is next on my reading list) The Dark and Hallow Places.

If you haven’t read this series you must do so Immediately! I PROMISE you will not be disappointed.

And after you’ve had your fill of Carrie Ryan’s zombies, you can check out The Infects By Sean Beaudoin (to be released in 2012).

Friday, April 29, 2011

Y is for Young Adult Authors to Watch (Friday Five)

YA authors debuting in 2011:

1. Michelle HodkinThe Unbecoming of Mara Dyer

2. Veronica RothDivergent

3. Jessi Kriby - Moonglass

And in 2012:

4. Emily HainsworthThrough To You

5. Veronica RossiUnder The Never Sky

Thursday, April 28, 2011

X is for X-Factor

The X-factor, in this case is defined as that scene/character/dramatic moment that triggers the need to read until you can’t see straight.

The I-must-finish-this-book-as-soon-as-possible moment. Like the examples below:


City of Ashes (Mortal Instruments) – The Seelie Court

Mockingjay – The Hijacking

Where She Went – The Promise

Anna and the French Kiss – Étienne St. Clair (all things)

Matched – The Fluke

These are completely vague examples, as I wanted to avoid spoilers :) But if you have more to add to the list, please do so in the comments!!!!

Wednesday, April 27, 2011

W is for WIP’s gone wrong

How many unfinished Works in Progress (WIPs) do you have saved in your Documents Folder?

More than five?

More than ten?

I’ve got precisely twenty-seven.

It’s not my fault. I get an incredible idea, the character speaks to me, I write 10,000 words, create a vague three-act outline – but somehow during the process of writing the first draft everything that seemed to flow so easily in the beginning stops flowing altogether.

Why was I writing this again? Why would I ever end a story like that? Who would read this? Did I want to write this story, or just this one really dramatic scene?

How many WIPs have you started that you doubt you’ll ever finish?

And at what point do you know you’re going to walk away for good?

Tuesday, April 26, 2011

V is for Vampire Diaries

I have a heart attack every week thanks to the CW phenomenon The Vampire Diaries. And this season it’s thanks to a certain someone names Klaus.

There are so many reasons to love this show: the constantly moving plot line, the edgy villains, the fascinating characters, and the beautiful cast (as vampires are always ridiculously attractive). But the REAL reason I’m crazy about this show is because it combines two of my favorite things: sibling rivalry and love triangles.

Right now, Damon and Stephen Salvatore are fighting. They are in love with the same girl and instead of putting aside their differences to defeat Klaus, they are fighting. (Eee!)

Sure, it’s a bit counter-productive, considering much bigger things are at stake (I won’t elaborate – if you watch, you know), but I’m not going to complain.

The show is 50% more entertaining when Stephen and Damon don’t get along. Agreed?

Monday, April 25, 2011

U is for Unnecessary details

Or the reason your readers will be skimming the page. Don’t tell the readers things they don’t need to know. If they don’t need to know them – they don’t want to know them.

The reader wants to reach the ‘pay off’ portion of the scene and they will grow irritated if they have to wait around while the author gives them unnecessary information that only stalls them from getting to what they’re reading for.

Supporting details only.

Yes, sometimes it’s hard to get rid of a beautiful setting description or a momentary exchange of dialogue that is character revealing, but brings the plot to a stand stilling. I’m currently revising my manuscript and editing out unnecessary details is next on the to-do list.

Any tips?

Sunday, April 24, 2011

T is for Time Out (and Thank You)

I took a time out from the A-Z Blogging Challenge for Day: T. Really it was one of those I-barely-had-time-to-breath-let-alone-write-a-blog-post situations.

If I’d had enough time to do a proper T-Day this is what it would be:

T is for Thank You!

I received some lovely awards during the A to Z Challenge and (even though I haven’t put them up on my blog-wall yet) I am very excited about them!!!

Thank you:

Shelley F. Batt

Laura Josephsen

Tara Tyler

Deirdra Eden-Coppel

*They also have amazing blogs!

Friday, April 22, 2011

S is for Sweet Talk (Friday Five)

How sweet is too sweet? I like my characters as romantic and mushy as the next person, but is there such a thing as TOO mushy – like to the point of gross? Like the emotional equivalent of eating too much candy and getting sick to your stomach.

What do you think?

1. “Come what sorrow can, it cannot countervail the exchange of joy, that one short minute gives me in her sight.”

2. "Maybe...you'll fall in love with me all over again."

"Hell, I love you enough now. What do you want to do? Ruin me?"

"Yes. I want to ruin you."

"Good, that's what I want too."

3. "You are part of my existence, part of myself. You have been in every line I have ever read, since I first came here, the rough common boy whose poor heart you wounded even then. You have been in every prospect I have ever seen since – on the river, on the sails of the ships, on the marshes, in the clouds, in the light, in the darkness, in the wind, in the woods, in the sea, in the streets. You have been the embodiment of every graceful fancy that my mind has ever become acquainted with. The stones of which the strongest London buildings are made, are not more real, or more impossible to displace with your hands, than your presence and influence have been to me, there and everywhere, and will be. Estella, to the last hour of my life, you cannot choose but remain part of my character, part of the little good in me, part of the evil."

4. "You could have had anything else in the world, and you asked for me."

"But I don't want anything else in the world."

5. "I love you. I am who I am because of you. You are every reason, every hope, and every dream I've ever had, and no matter what happens to us in the future, every day we are together is the greatest day of my life. I will always be yours. "


Thursday, April 21, 2011

R is for Really long book that is now a movie

Or Atlas Shrugged. Can I admit something? You promise not to throw tomatoes? I didn’t finish Atlas Shrugged. When I was twenty, I tried. I read about three hundred pages, then exclaimed, “If I have to read another passage about trains I am going to scream!” and haven’t picked it up since.

Even after a friend – one of the only twenty-one-year-old boys I knew in college who read Ayn Rand – told me Atlas Shrugged changed his life, I still didn’t finish.

It took my college roommate, Kels, a year to finish it and when she did, she walked into the living room and spiked the book like a football, in the name of victory. It broke it half. She picked up one of the pieces and told me, “This is the second half. This is the half that will change your life.”

I still haven’t finished it, but now I guess I don’t have to, right?

Atlas Shrugged Part I (or the part that will not change your life) is out on limited release. And guess what? It’s in Seattle.

And not only that, the trailer has enough clips of trains derailing that my boyfriend even agreed to see it. At this rate I will never finish the book.

What do you all think of Atlas Shrugged as a movie?

Wednesday, April 20, 2011

Q is for Quotes (by people I adore, who also won’t sue me for quoting them )

I love dialogue in fiction – but in real life it’s pretty great too. :)


“Is it like dark chocolate for your ears?” – The Boyfriend, talking about music.

“These are fabulous cups.” - My friend Les commenting on designer crystal champagne glasses.

“I don’t know what he meant by ‘wet blanket’, but I’m ninety-nine percent sure I was just insulted.” – The Cousin.

“The way he feels about his new tires is the way you feel about your shoes.” - The Boyfriend (again).

The only problem with Prince Harry is he can’t make me a queen.” – Rowdes (BFF who’s practically family).

Why do they all have long braids? Way easier for a zombie to grab a hold of a braid than a nice bob.” - BFF/PR Pro on hairdos in zombie books.

Tuesday, April 19, 2011

P is for Publishing

Ah, publishing – the BIG dream. (Mine anyway). Sarah Zarr’s keynote speech at 2011 Winter Conference of the Society for Children's Book Writers and Illustrators, puts this dream into perspective. I wasn’t at the conference, but this breakdown of Sarah’s keynote gives all of the fantastic highlights.

“It's not about a book deal, a good review, a big advance. It's about a life.”

Monday, April 18, 2011

O is for Over-doing the action – advice from the cousin

This is what my cousin had to say about an action scene of a fantasy book she was reading:

“What’s going on? How did that happen so fast? Wait a second – slow down!”

And then she started screaming at the characters:

“Use your words!”

This is good advice actually – something to keep in mind when writing an action sequence. The reader wants dialogue too. They want to know how the characters are reacting to the ‘action’. Action alone is not enough.

Saturday, April 16, 2011

N is for Number of men in a query letter

I was chatting with my critique partners this week about query letters and whether or not to include the ‘love triangle’ element of the plot in them. Most of our stories have a love triangle – er, ‘love triangle’ might be the wrong word – but anyway, there are TWO dominate males in the story creating problems for the female main character.

Trying to fit these two men into a 350(ish) word query letter proves to be quite difficult. One of my critique partners has mastered it beautifully, weaving them both into the hook, and still managing to have a query of a reasonable length. I’ve tried to do this because BOTH of my male characters are important and BOTH should be in the query, but for lack of staying on plot and staying within one page, one of them is always cut out. I recently tested a query letter mentioning both dominate males in the story at a WriteOnCon query chat, and the agent critiquing told me to cut out the last paragraph (aka the one mentioning the OTHER male).

So riddle me this: How many men, is too many men, in a query letter?

Have you found a way to incorporate both pieces of the ‘love triangle’ into your query? And if so, what is the secret?

Friday, April 15, 2011

M is for Marvelous things discovered this week (Friday Five)

1. The first chapter of The Unbecoming of Mara Dyer by Michelle Hodkin. Read it here and be hooked until September.

2. Tuesday’s episode of Parenthood. I have never been more embarrassed / mortified within the first five minutes of a show before.

3. Final series of Friday Night Lights premieres on NBC TONIGHT. EEEk!

4. I finally read FOREVER by Judy Blume (something I should have read ages ago), and loved it.

5. Twitter leaks of authors making the NYT Best Seller List, which the rest of us will get to see on Sunday.

Thursday, April 14, 2011

L is for Likable Characters

Lately, I’ve been noticing a lot of books with less-than-desirable main characters. These main characters are sometimes clueless, sometimes rude, sometimes selfish –they usually have their priorities out of whack, and almost always push away the people they need the most.

Yet – as unlikable as their ‘traits’ are, they have that one special quality that makes them likeable, that makes the reader cheer them on.

Redemption.

There’s usually a tragedy that’s made them so unsavory, and our faith that they will pull out of it / learn their lesson / step up when things get horrible is what keeps us reading, and keeps us from hating them.

Some of my favorite main characters whose personalities have a bad-rap with the other characters in the book:

  • Mary from The Forest of Hands and Teeth
  • Parker Fadley from Cracked Up To Be
  • Samantha Kingston from Before I Fall
  • Will Herondale from Clockwork Angel
  • Scarlett O’Hera from Gone With the Wind


AND, although they are not main characters – they challenge the main characters and strive for their own sense of peace:

  • Estella Havisham from Great Expectations
  • Lady Brett Ashley from The Sun Also Rises

Wednesday, April 13, 2011

K is for Kissing Scenes

*blushes*

My characters kiss often, because why wouldn’t they? I love to make my characters fall in love.

And what I love even more? Making my characters fall in love and then depriving them of it. (Muhahaha!)

And while I love a good kissing scene, I still think that the almost-kissing scenes are the ones that are especially hot. (Take it from Cassandra Clare and Carrie Ryan).

What are some of your favorite kissing scenes or almost-kissing-scenes?

Tuesday, April 12, 2011

J is for Juggling

Every writer I know struggles to find balance with regular-life and writing-life. Balancing friends and family and a day job and working-out and household chores and sleeping, with plotting and character development and blogging and query letter-writing and agent research and drafting and revising – is just plain hard.

But without the constant juggling act, I think my writing would suffer too.

Because it’s these other ‘things’ in life that actually inspire the writing. They have to co-exist (and for reasons other than things like needing the day job to survive financially or because there are people in your life that you can’t, and most likely don’t want to blow off). Real-life and writing-life need each other to thrive. Without real life interactions with friends and family and coworkers and that crazy lady at the Laundromat, how would we find inspiration? These interactions and relationships are the reason we know what to write.

And without real-life constraints we might miss out on the ‘hunger’ to write. That bottle-necking of ideas that come from not being able to act, just being forced to think, and let the ideas/story/characters ruminate – so that when you finally do get the chance to write, you’ve got a lot to say, and it feels like release.

I have not found a balance yet – sometimes I have to blow off my friends to finish a scene or put off my last set of revisions to have dinner with my boyfriend. Dishes pile up, I don’t get a lot of sleep, I get behind in my word count goals, my query letter isn’t perfect – but if I can survive this cluster of chaos, then I can most certainly survive the chaos of being published. It seems like give and take, like your giving up one thing to do another, but really I feel lucky to have both.

Monday, April 11, 2011

I is for Idealism

I tend to view YA novels and writing through rose colored glasses – very idealistically, if you will.

I always romanticize novels, even if they don’t deserve it. When I hate a book, it takes me a moment to admit to hating it. It takes me a while to get over the fact that someone felt the need to write this book – that this is a story someone had to tell. And then I think of all the revisions, and query letters, and line edits that went into the book, and even though I wish I’d never read it, I develop an odd appreciation of it.

My cousin does not have this problem. She’s a reader only, so if the read isn’t enjoyable, she will freely bash the book. This has helped me because it makes me see what readers love and hate in books – and even though writing is subjective – these non-writer biased comments linger, so that when I’m writing my own stuff, I am somewhat aware of what will really tick-off the ‘reader-only’ types. You know, the ones who will hopefully be reading my book.

I have another avid reader friend (referred to on this blog as BFF/PR Pro) who doesn’t wear rose colored glasses when reading either. She’s in PR so she knows how to spin something, however, never-ever will she put a positive spin on a bad book. She’s blatantly honest. Often admitting, “This is the worst novel I have ever read, but I’m finishing it because I need to know how it ends.” This is uber helpful because even when a book disgusts her, she finishes it, so her final evaluation is complete. If the book didn’t redeem itself in the end, she’ll annihilate it in conversation.

As writers, we need these people in our lives – the people who aren’t comparing the plot and the pacing of their own book to those that they read. When they read a lousy story, they don’t see the blood, sweat, and tears that went into it. They don’t forgive the book for letting them down. They tell it like it is, be it good or bad, and give me a fresh slap of realism.

Do you have people like this in your lives?

Saturday, April 9, 2011

H is for Hunger Games Movie Cast

“If they cast Steve Martin as President Snow I’m boycotting.”

This was my friend’s reaction to The Hunger Games movie cast. I seconded this motion.

We have nothing against Steve Martin – of course – but his name was tossed around during The Hunger Games casting speculation, and given the shock of cast announcement last week, we were afraid that this speculation might turn into reality. And Steve Martin really isn’t ‘evil’ enough to be President Snow, even if he has the right hair.

Although I must point out that it would be quite ironic if Steve was cast because of his hair, when clearly ‘having the correct hair’ was not the basis for assigning the rest of the cast.

The obvious problem with casting a book series loved by so many, is that expectations are HIGH. Everyone had ‘their’ ideal cast. And it didn’t help that Hollywood was waving Alex Pettyfer and Hunter Parish in our faces.

In case you haven’t heard, this is the cast of The Hunger Games: (if you haven’t read the book – close your eyes!)

My cousin’s only response to The Hunger Games cast announcement was, “But who’s going to play Finnick? Who’s going to play Finnick? What about Finnick?” (In case you’re in the dark, Finnick is the attractive, older character, who rarely wears clothing. Clearly, her priorities were in check.) And after another few minutes of her enlisting the Peeta rejects to play Finnick, she finally gave her analysis on the cast (brace yourself): “They are fine.” This was a more mature reaction than I had, let me tell you.

I’d pictured the cast looking more like this:

I wanted Peeta to charm me with his looks , but I suppose that wasn’t really Peeta’s thing, was it? He was just the baker’s son until he opened his mouth. And Gale, well...it was really his bravery and deep understanding of Katniss that made him appealing. And for some reason, it was a given that he was going to be attractive (but who knew he'd be good-enough-for-Miley-Cyrus-attractive).

The director was getting it from all angels after the announcement was made, so Suzanne Collins and he released statements explaining their choices. They seem to have good reasons for casting the way that they did, so apparently we should just trust them. And I suppose give them a break, because filling the shoes of Peeta and Gale is a tall order.

An even taller order? Playing the roles of Peeta and Gale. Because these actors need to make teenage girls swoon, and not-so-teenage girls, like myself, need to feel like a swooning teenage girl when they watch.

I hope you’re up for it, Liam and Josh.

Then on Wednesday, I read this quote from Josh and knew it would probably be alright:

“I love Peeta. The character is so much who I am—self deprecating, a people person. And he’d be such a great character to play! Like in the third book? Oh my God.”

A-he loves Peeta, B-he gets Peeta, and C-he appreciates the Peeta from Mockingjay.

Hopefully, this makes you feel better too.

Friday, April 8, 2011

G is for Grown-Up Books (Friday Five)

I’m a Young Adult (YA) writer, so I find myself reading a lot of YA. Surprise, surprise. In fact, I read so much YA, that I’m pretty sure the last ‘grown-up book’ I read was in 2009 (It was, Are You There Vodka, It’s Me Chelsea, by comedian Chelsea Handler – if you were wondering).

In my defense, I thought Go Ask Alice was a ‘grown-up book’, but several people have informed me that it’s not. I also read James Franco’s book of short stories, Palo Alto, but have been informed that it doesn’t count as a ‘grown-up book’ either because, A-it’s not a novel, B-all the short stories are about young adults, and C-since James Franco wrote it, the YA audience is buying it. I can’t catch a break.

I am of the belief that YA books ARE also for adults and I sometimes wonder if we didn’t tell “adult readers” that books like If I Stay or The Forest of Hands and Teeth or Revolution were YA books, they might never know they weren’t reading a ‘grown-up book.’

Still, it’s important to stay genre-rounded, right? Here are five ‘grown-up books’ I will be reading in 2011:

  1. The Adults
  2. Freedom
  3. The Paris Wife
  4. House of Sand and Fog
  5. Imperial Bedrooms

Am I missing any?

Do you guys read ONLY in your genre or are you genre-rounded?

Thursday, April 7, 2011

F is for Formula

There are a lot of novel-writing resources out there that offer up formulas that claim to help your novel’s plot, character arc, and story timeline - but are they all necessary? And does following a formula take away from the creative process or add to it?

How do you combine creativity with functionality? Is it possible?

I’m always looking for the balance. I like to think that the more aware I am of what constitutes ‘good novel’ formula, the more likely I am to produce creative works that flow along these ‘rules.’ But I’m not sure if that always works. Some novels, when you break them down, seem to follow their own set of writing rules, and it’s a set of rules that really works. The book is good.

So what about these formulas? Do you take them or leave them? Is it possible to incorporate them into your story and not lose the magic of creative flow? Are you aware of them during the drafting stage or only afterwards, when revising?

Wednesday, April 6, 2011

E is for Endings

This one was a challenge to write because, how do you write a blog about endings without talking about certain endings and giving away the endings of said books in the process?

But I want to debate happy endings vs. sad endings, so I’m up for the challenge.

Which do you prefer?

I know, I know, it depends on the book, but I think we all have a preference, and we all know it.

Personally, I like my endings about 60% sad, 40% happy. Bittersweet, if you will.

We all want closure in a book, and to me, that closure should come in the form of hope, and that hope should be limited. Too much hope will make the hurdles the character had to face, seem too easily overcome. Too much closure will override what the character sacrificed to reach the end. The character should have changed by the end of the book, and to me change is sad – we as an audience need to mourn the loss of the previous character, even if the change was for the better. At the end of the road, I want to know my character will be all right, but I want to know that they also had to work hard to become all right.

What is your ideal happy-to-sad ratio for the end of a book?

Tuesday, April 5, 2011

D is for Drafting

I love drafting. The first draft is my favorite to write. You don’t have to worry about making mistakes. You just GO and even if you’ve already got the story outlined, you still come across surprises along the way. You’re getting to know the characters and the situation, and fighting to discover how they will deal with everything thrown at them. There’s that combo of pain and pleasure from watching these characters go through so much, discovering their fate, and – even if you know the end – getting to see how it will actually play out. It’s hard work, but it’s also effortless.

I go through a honeymoon stage with my first drafts. For about four months after completion, every time I open the word document, I fall in love. Wow – maybe this is IT. This is such a great story, so beautiful, wow, wow, wow.

Revising under this love spell is IMPOSSIBLE.

I know I’m officially ready to start revising and editing when I read the first page of the first draft and am disgusted. All the flaws are obvious; I can’t believe I wrote such nonsense. What was I trying to say, and why did I pick those words to say it?

The honeymoon’s over; it’s officially time to get down to business.

Still, I love the drafting stage so much that even as I revise other projects, I am always drafting new works too – so that world of carefree imagination isn’t ever completely gone.

Question: What is your favorite part of the ‘process’?

Monday, April 4, 2011

C is for Critique Group

Yea! My critique group is probably the best thing to have ever happened to my writing. Especially since I was lucky enough to find writers who get my writing, my story, and my genre. Participating in the critique group has made me a better critic of my own writing too.

I met my critique partners during a Writer’s Digest class. We’d all gotten a taste of each other’s writing, become acquainted via class discussion boards, and had experienced firsthand the kind of feedback we were all capable of giving, so the decision to form a critique group was a no brainer. It’s been nearly a year (wow) and my writing has improved so much, thanks to them!

Okay – now, I feel like I’m bragging, but SERIOUSLY. I feel like I’ve hit the critique group jackpot.

Makes me wonder how others find their critique groups / beta readers? Anyone want to share?

My CP’s all have lovely blogs too:

Friday, April 1, 2011

B is for Boy with the Bread

B is for Boy with the Bread (aka Peeta Mellark).

My cousin commenting on the chiseled actor's up for the role of Peeta in The Hunger Games movie:


“I don’t know….I always pictured Peeta a little more…rotund.”

Rotund?!

“Not fat, just…doughy.”

Ew.

“Peeta was the baker’s son. Come on.”

So he ate a lot of carbs…so what?

“That would make him rotund. Doughy.”


(This conversation hasn’t ended yet – better add it to the list.)